Blog

Regular chronicles from the world of Mid Century Modern furniture and design.

Mid-Century Design Shows a-go-go

In case you haven’t heard, something very exciting is happening at the end of this month in the Royal Festival Hall at the Southbank Centre in London, but first…

Back in May, Russell and Jan visited the Lords Cricket Ground – spiritual home of cricket, top destination for architecture geeks and the latest venue for the Midcentury Modern Show. If you’ve not yet attended one of Petra Curtis and Lucy Ryder Richardson’s design shows, here are a few reasons why you should.

What is the Midcentury Modern Show?

Having been disappointed by very few retailers selling Mid-Century design when they moved to south London in the nineties, Lucy and Petra founded Modern Shows in 2003.

This design-lovers paradise has two faces: The Midcentury Show features originals from the postwar era to the late seventies, while at the Midcentury Modern show, you’ll find vintage dealers snuggling up with modern designers.

What’s in it for the buyer?

For the buyer with a passion for vintage, this is the place to be. You don’t have to trawl around town visiting dealers because they’re all under one roof.

© India Roper-Evans

You can buy on the spot and take your new purchase away with you, order in advance, or simply breathe in the heady air of alluring design. You’ll find furniture, fabrics, lighting, ceramics, glass, and poster prints; just about everything you could possibly need to decorate your home.

I’m a trader. What’s in it for me?

From a traders perspective the Midcentury Show offers two things:

1. Sales, of course!
Naturally you’re going to want to see some of the items you’ve brought with you, but not everybody will be there to buy. You can use these shows to raise awareness of your business with the right audience, and hopefully secure future sales.

2. Networking.
This is basically a large room, packed with Mid-Century enthusiasts and collectors, interior designers and dealers looking for that special or elusive piece.

Of course, you might pick up a bargain yourself. At the last show, Russell grabbed a couple of Eames arm shells in a rare colour. They need a bit of work, but will eventually make their way to the Firefly House shop floor, ready to be passed on to the next enthusiast.

Firefly House and the Midcentury Show

Russell and Jan spend the week before a show preparing stock for the stand, which usually involves a lot of cleaning and polishing. Some pieces on display at Lords had been steam cleaned; while others were freshly back from the upholsterers, just in time for the show.

Those pieces which were unfortunately not ready in time for the show in May are now on our website, if you want to take a look.

Anyway, back to the show…

It’s not just a case of taking all our most rare examples. It’s all very well bringing beautiful grain and flawless leather upholstery, but the trader should consider what’s going to have the greatest impact without overcrowding the space. We love colour, and find that using bright pieces does a better job of catching the eye.

So, you’ll be able to spot us next time – pop over and say hello!

The show at the Lords cricket ground featured on the Financial Times How to Spend It website – with a mention for us and our Alvar Aalto model 44 chair (which is still up for grabs).

If you fancy heading along to bag yourself a bargain, the Midcentury Show is making its debut at Bristol Paintworks on 9th October.

If you can’t attend, but are interested in finding out who’s involved, the Modern Shows website has a useful list of retailers for your Mid-Century wants.

We won’t be at the Bristol show, unfortunately, but we will be at the next Dulwich College Midcentury.Modern show on 20th November.

But before all that, there’s Vintage at Southbank, from Friday 29th – Sunday 31st July.

Vintage at Southbank

Vintage at Southbank is a 3 day festival of art, design, music, fashion and dance, curated by Wayne and Gerardine Hemingway, who brought us Vintage at Goodwood in 2010.

Lucy and Petra are Curators of Furniture and Design at the show, and we’ll be exhibiting some spectacular furniture in the marketplace alongside our friends Fragile Design.

There really is too much going on to try and cover it all here, but it looks like its going to be an incredibly creative and fun three days. You must take a look at the website and see for yourselves…

Find Vintage at Southbank, and Modern Shows in all the right places to keep up with all the good stuff. Here, we’ll make it easy for you…

Follow Vintage at Southbank on Twitter and Facebook, read their blog and sign up to their mailing list.

For all year round Mid-Century loveliness, follow Lucy and Petra’s Modern Shows on Twitter and Facebook, and sign up to their mailing list.

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How to… Buy an Eames RAR Rocker

There’s a new guide to retro living in town – the Midcentury Magazine. Published twice a year, it’s all about Mid-Century Modern design. Russell featured in the very first issue with his buyers guide to the Eames RAR (Rocker Armchair Rod) Rocker – so we thought we’d introduce this as a regular feature to the blog. Do pop back for more helpful Mid-Century Modern how-tos…

Eames / Herman Miller / Zenith rope edge RAR (lemon yellow)

What can I expect to pay for an Eames Rocker?

Entry level for a good quality non-upholstered chair on a reproduction rocker base is around £450. For this price the chair and base should be in excellent condition. Examples can be found cheaper (£300 upwards) if they are upholstered or have slight damage.

For one of the more rare colour shells (e.g. seafoam green) on a reproduction base expect to pay up to £750. Certain colours were made in larger quantities (e.g. orange) so these tend to be cheaper.

Zenith shells manufactured between 1951 and 1953 which have the Venice label and large shock mounts but no rope edge on a reproduction base can cost up to £1000. For an early rope edged all original RAR, expect to pay upwards of £2000.

If you want the classic RAR with a more reasonable price tag then go for a later example on a reproduction base. This can alter the price dramatically.

Which colours and finishes are available?

In the fibreglass shell – parchment, elephant-hide grey, greige, seafoam green, red, lemon yellow, canary yellow, orange, white, black, dark olive, light olive, brown, raw umber, light ochre, dark ochre, navy blue, light blue, kelly green, turquoise and pink to name a few! There have also been many different coloured naugahyde (vinyl) and fabric examples.

Certain colours are far more sought after such as seafoam green and elephant-hide grey.

Should I seek out particular detailing on the RAR chair?

If you are buying the chair because you are a serious collector and want an investment item then hold out for that perfect chair.

Make sure it has the rope edge, full chequerboard label, original mounts and hardware with original base and runners. The original early wooden runners in birch were slim and rounded, whereas original later runners were thicker and less rounded.

Look for the label. This is far more important if you are buying an early Zenith shell and not so important on later examples which have the raised Herman Miller logo as well as a label.

Which manufacturer labels should I look out for?

Herman Miller, Charles Eames & Zenith Plastics chequer board logo on rope edge RAR

The Eames rocker was produced between 1950 and 1953 with Zenith Plastics and was distributed by Herman Miller. After 1953 Herman Miller outsourced the production to various manufactures including Cincinnati Milacron and Summits Plastic in Kalamazoo, Michigan.

To identify Cincinnati Milacron, look for a crescent C with a star. For Summits Plastic, look for a pair of triangles overlapping each other (not the same as the Herman Miller logo), an S or an S with a circle around it. The earlier models may not have any markings at all, but may still have the paper label.

Are there significant differences between manufacturers of the Eames Rocker?

Essentially the chair hardly changed over its lifespan. The first production rocker base was in production for less than a year, making it very rare indeed. Over the years there has been some slight changes made to the wooden rockers, and various fabric and naugahyde upholstered shell options were introduced.

How can I tell whether the shell and legs are original to each other?

You would hope and expect that the seller would not try and sell something as original if certain parts were not. Always ask if there are any non-original parts. Most Eames RARs available to buy now are original shells with a reproduction base.

If the item being sold is described as “all original” then there are certain checks to be made.

Firstly check the shock mounts and look for the indentation in the rubber mounts. Is it consistent with this base? Are there other indentations in to be seen? If so it’s probably a marriage of parts, although both rocker and shell could still be original. Check the bottom of the wooden runners – do they show appropriate wear for their age?

Eames / Herman Miller / Zenith rope edge RAR (yellow) - underside view

Are there any other potential pitfalls I should look out for when buying an Eames RAR?

Check that the shell and base are firmly attached. Are they still supple? Have they been re-glued? Are the fixing screws original?

Make sure the chair does not have shock mount bleed-through in the seating area. This will be seen as dark areas in the fibreglass over the area where the mounts are attached beneath.

Check for cracks and fractures in the fibreglass. If the shell is damaged in any way it will dramatically reduce the value of the chair.

The more worn the item the less the price, but as always condition is everything. Buy from a reputable source with proven track record of selling quality items.

How concerned about condition should I be?

Very! No matter which type of chair you are buying, make sure the condition is good. Your long-term investment is compromised if you make the wrong purchase. There is nothing wrong with buying cheaper slightly damaged chairs but make sure this is reflected in the price.

When is it worth paying a lot?

Like many iconic pieces of Mid-Century furniture, it’s becoming harder and harder to find excellent examples, so if you come across that perfect piece you may well want to pay up.

If you want a beautiful chair that is also a super investment then go down the all-original Zenith rope edge route. If you want an iconic chair that you use day in day out then go to the other end of the spectrum. There’ll be no difference in quality, just rarity and demand.

Zenith rope edge RAR (salmon)

Is the Eames RAR a good long-term investment?

Yes. Prices have risen dramatically over the last few years and I expect them to continue rising. Demand is very high for these beautiful chairs which are constantly featured in design and style magazines.

Is it ever worth buying a reproduction Eames Rocker?

No!

So that’s it – a very thorough (and hopefully useful) guide to buying the Eames RAR Rocker. Let us know if you have any other questions, or if you disagree with anything in this guide. What do you think is important when looking to buy an iconic piece of Mid-Century Modern furniture?

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Welcome to Firefly House

A wise man once said: “If you want a golden rule that will fit everything, this is it: Have nothing in your houses that you do not know to be useful or believe to be beautiful.” (William Morris)

Welcome to Firefly House’s home in the blogosphere.

We’ll bring you regular chronicles from the world of Mid Century Modern furniture and design. There’ll be photo galleries of beautiful and rare pieces for you to admire, and a few golden rules of our own.

We want this blog to be a useful guide for the novice and a forum for enthusiasts. But as his is our first post, let me introduce the Firefly House family

We are based in a studio in North London where Russell and Jan source, buy, sell and hire Mid Century Modern furniture, lighting, art, and soft furnishings. They have a real passion for design.

They’ve known each other for 16 years – back in the day when Russell was trading stocks and shares, and Jan was a interior designer, having moved on from a career in textiles. They still work with clients on home design projects.

Jan and Russell founded the business in 2003. It all started when they’d both bought one too many pieces for their own homes and were running out of space. They started buying and selling furniture, and never looked back.

I’m Emma, and I’ll be writing the blog. I love the look and feel of good design and iconic objects, but I’ve still got much to learn. I’ll be finding my way around the Mid Century Modern period guided by the expertise of Russell and Jan.

There’s one final introduction to be made – DD, the model for the Firefly House logo. She’s an eight-year-old rescued greyhound belonging to Jan. If you come to the studio, you might meet Ruby, a Jack Russell / Staffie crossbreed who regularly accompanies Russell to work and is very popular with the customers.

The origins of Firefly House are very much reflected in the way Jan and Russell operate today. They only buy stock that they love and would be happy to see gracing the rooms of their respective abodes. If they don’t agree, they don’t buy. It’s more like a re-homing procedure than a business!

Clients tend to be as passionate about us as our furniture, and many have become our friends. We love to chat, so if you can’t visit our studio, talk to us here, or find us on Facebook and Twitter.

We look forward to hearing from you.

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